resume

Jennifer Waters

aka Jennifer Blowdryer

blowdryer.media@gmail.com

Education

Columbia University, Writing Division

Concentration:  Fiction, MFA 1988

Claire Woolrich Fellowship

University of California, English

BA 1984

Periodicals

1982 – present New York Press, nypress.com

Regular contributor

Editor John Strausbaugh

1989 -1993 Downtown (NYC Weekly)

Music column

1989 – 1992 Maximum Rock ÔN’ Roll

Personal Column

Editor: Tim Yohannan

Teaching Experience

2007
Lectured on independent publishing at the New College’s Writing and Consciousness Program.
Spoke to Lowell High creative writing class about assembling their own slang definitions.

Adjunct, Marymount Manhattan College Critical Thinking:  Satire

1993 -1995

Adjunct, Marymount Manhattan College Critical Thinking:  Satire

1988 -1990

Adjunct, New York Institute of Technology
Freshmen Composition

1984
Writing Workshop (with Lois Grffith)

Nuyorican Poetry Club

Publications

Upcoming: 3 Chapters in a book on the Jewish History of the Lower East Side, published by Clayton Patterson.

Chapter in CarnivorA, a book on car art.

2008: A chapter in Working Sex (Avalon Press)

2007: Chapters in Nobody Passes (Edited by Michelle Tea, Seal Press) and Nobody Passes, (Seal Press, edited by Matt Bernstein Sycamore.

Good Advice for Young Trendy People of All Ages

Anthology of semi-satirical guides to alternative lifestyles

Editor and Contributor

Manic D Press, 2005

Jennifer Joseph editor/publisher

White Trash Debutante

Memoir

Galhattan Press, 1997

Jane King editor/publisher

The Laziest Secretary in The World

Graphic Novel

Piranha Press (imprint of D.C. comics), 1992

Where’s My Wife?

Chapbook

Zeitgeist Press 1989

Wrong Wrong Wrong

Chapbook

Zeitgeist Press 1991

Modern English

Dictionary of Trendy Slang

Last Gasp 1984

Ron Turner editor/publisher

Anthologies

Outlaw Bible of American Poetry

Poetry, Thunder’s Mouth Press 1999

Editor Alan Kaufman

Dick for A Day: What Would You Do If You Had One?

Essay, Villard 1997

Editor Fiona Giles

Aloud:  Voices from The Nuyorican Poets CafŽ

Fiction, Owl Books 1994

Editor Miguel Algarin

Upcoming:

True Blue

Personal Essay, Soft Skull, 2006

Editor Annie Oakley, Sex Workers Art Show

Women of The Bowery

Play Excerpt, Bowery Poetry Club, 2006

Editor Bob Holman

Nobody Passes

Essay, Suspect Thoughts 2007

Editor Matt Bernstein Sycamore

The Rebellion of 1965

Poetry, Zeitgeist Press

Editor Bruce Isaacson

Journals

Zeek:  A Jewish Journal of Thought And Culture, essays, book reviews

Longshot. Poetry

Tribes, Prose Poetry

Steve Cannon, editor

Theatrical Productions

86′d Project/A Fond Look at The Gabors

Darkroom Theater, San Francisco, CA 2006

White Trash Debutante

Bowery Poetry Club, New York, NY 2005

Theater Rhinoceros. San Francisco, CA 2002

Smut Fest

Center for Sex And Culture, San Francisco, CA 2006

Schmidt Tivoli Theater, Hamburg, Germany 2000

14 Karat Kabaret, Baltimore, MD 1998

P.S. 1, New York (off site), NY 1997

Lower Links, Chicago, Il 1995

World’s End Pub, London, UK 1994

Personal Statement:

One of the first things people ask me is “Where’d you get the name Blowdryer?” “From a punk band I fronted in 1979, in San Francisco,” I’m always proud to reply. I jokingly call myself a low level counter-cultural icon, but I see myself as a new kind of teacher. Operating in both academic and non-academic venues, I have tried to synthesize nontraditional sources with the established literary canon to represent a truer spectrum of American culture. This diversity of influences is also reflected in my work, which as been taught at Sarah Lawrence and, most recently, in Stephen Beachy’s USF course on memoir writing. The best professors I had in college and in life shared their passion for work I’d never been exposed to, and showed me how to be ruthless in executing my own craft. I would like to do the same for others.

I have always been interested in work that re-humanizes the socially marginal. My Smut Fests, started in 1988, were one of the first places where sex workers could express themselves through performance. I am currently working on a non-fiction book about social anomalies called Black Sheep: This Could Be You, as well as The 86′d Project: The chronically ejected, and their tormentors.

References available upon request.

Please return to home and see what a multi-faceted person I am